Littoral Combat Ship USS Freedom LCS-1 Rigged for Maya is a three-dimensional model of a modern naval warship, specifically designed for operations near coastal waters.
The design features sleek lines and low-profile elements to enhance stealth capabilities. Equipped with advanced weaponry and defense systems, the ship is versatile, able to perform multiple roles like surface combat, anti-submarine warfare, and mine countermeasures. Its modular design allows for easy customization and adaptation to various mission requirements.
For naval architecture, defense industry, maritime simulations, military training, shipbuilding displays, educational applications, virtual reality experiences, video game development, and naval museum installations educational, or promotional projects.
Littoral Combat Ship USS Freedom LCS-1 Rigged for Maya is fully rigged and is ready to be animated in Maya. You can easily position it the way you need or animate it the way your project requires. See the screenshots to get an idea of how rigging works. The pose of the model on the render images is an example and can be recreated using rig, it is not initially included into the product.
Hope you like it!
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Features:
- High quality polygonal model, correctly scaled for an accurate representation of the original object.
- Models resolutions are optimized for polygon efficiency. (In Maya, the Smooth Mesh function can be used to increase mesh resolution if necessary)
- All colors can be easily modified.
- Model is fully textured with all materials applied.
- Maya models are grouped for easy selection, and objects are logically named for ease of scene management.
- No part-name confusion when importing several models into a scene.
- No cleaning up necessary just drop your models into the scene and start rendering.
- No special plugin needed to open scene.
- Model does not include any backgrounds or scenes used in preview images.
- Units: cm
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Textures Formats:
- 25 png (4096x4096)
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(c) 3d_molier International - 2025
Native | Maya 2018 | V-Ray 4.3 Maya 2018 | Arnold Maya
