Interior designers and architects throughout time have continuously studied users within a space to design to best fit their needs and wants. King of France, Louis XIV’s Palace of Versailles can be considered having one of the most lavishly decorated living rooms in the late 1600s. During King Louis XIV's reign, the architectural Style Louis XIV or Louis Quatorze was established. This style can also be identified as the French Classicism and had an influence on other countries.[13] It included the bold use of marble and bronze materials. Louis XIV worked alongside Louis Le Vau and Augustin-Charles d’Aviler to design appartments de parade, otherwise known as formal rooms that usually consisted of discussing and conducting business matters. They also designed, appartements de commodité, which were rooms that the homeowners could relax and lounge in.[14] This style, known as The Style Louis XV, or Louis Quinze, was designed intentionally to combine formality with a new level of comfort that people were yet to discover. [15] Charles Étienne Briseux, French architect whose architectural style was prominently Louis Quinze, published L’Architecture moderne in 1728, introduced comfort which later became an obsession to have specific materiality and furnishings within the interior of a space. Its influenced began in Paris, France, and then quickly spread across Europe reaching the attention of the wealthy and lavish.
The Industrial Revolution emerged in the late 1700s which completely shifted America from an artisan and handmade process to a society that was dominated by a machine manufacturing industry.[16] This allowed the production of chairs, tables, light bulbs, telegraphs, and radios that allowed society to purchase at a reasonable price to add into their home. The rise of the Industrial Revolution played a huge role in the advancement of the living room because due to mass production, decorative items became more available to the middle class.
An example of this evolution is the Miller House designed by Eero Saarinen. Saarinen knew that he wanted to design a living room not only with an appropriate architectural style but to feature conversation pit that sunk users to the ground making them feel a bit more grounded.[14] It encouraged relaxation and conversing which the Miller House was one of the very first spaces to celebrate and introduce the conversation pit.[17] The Miller House's architectural style was known as Mid-century modern, this indicated that it was introduced after World War II between 1945 and 1960. The movement was associated with minimal ornamentation, simplicity, honest materials, and craftsmanship.
STL (Stereolithography, filesize: 830 MB), OBJ (OBJ, filesize: 901 MB), BLEND (Blender, filesize: 1.19 GB), FBX (Autodesk FBX, filesize: 813 MB), PLY (Ply, filesize: 798 MB), OTHER (Other, filesize: 235 MB)
